Create one continuous cinematic shot.
REFERENCES:
@video1 — master camera and blocking reference. Use it as the single source of truth for the exact camera trajectory, opening distance, timing, speed, framing progression, perspective changes, camera height changes, subject placement, walking rhythm, hand placement, smartphone position, and the full start-to-end movement.
@image1 — environment, character styling, and scene appearance reference only.
@image1 defines only the location, architecture, props, wardrobe, lighting, and overall visual style.
It does not define the camera path, shot timing, opening frame, ending frame, or shot progression.
All camera movement and blocking must come only from @video1.
SCENE:
A young man walks along the sidewalk near a Paris street-corner café while looking at his smartphone.
He is absorbed in the phone and walks naturally with believable body motion and attention on the screen.
CAMERA — CRITICAL:
Follow @video1 as the exact master trajectory.
Start very far away, matching the distant opening framing from @video1.
Preserve the same direction of travel, speed, timing, framing progression, perspective changes, and camera height changes.
Continue the same approach toward the man, following the same path through space.
Preserve the same move from the wide shot into tighter medium and close views.
Then continue the same late movement toward the torso, hand, and smartphone.
At the end, the camera must match the exact ending logic from @video1:
it approaches the phone extremely closely,
briefly holds near the phone for a moment,
then immediately shoots sharply upward, passing over / through the phone from

Create one continuous cinematic shot.
REFERENCES:
@video1 — master camera and blocking reference. Use it as the strict source of truth for the exact camera trajectory, opening distance, timing, speed, framing progression, perspective changes, camera height changes, subject pose, body orientation, hand placement, smartphone position, and the complete start-to-end movement.
@image1 — supermarket environment, lighting, wardrobe, props, and visual style reference only.
@image1 does not define the camera path, timing, opening frame, ending frame, or shot progression. All camera motion and blocking must come only from @video1.
SCENE:
A young woman is already floating upside down in the supermarket aisle from the first frame, in the exact pose and orientation defined by @video1.
She remains spatially stable while the camera moves around her.
She holds a smartphone in one hand.
A shopping cart stands nearby with groceries inside.
A banana peel lies on the floor beneath her, adding a playful surreal detail.
CAMERA — CRITICAL:
Reproduce the exact camera trajectory from @video1 from beginning to end.
Start from the same distant framing with the woman small in the frame.
Follow the same rapid approach, the same direction of travel, the same changes in camera height, distance, perspective, and framing.
Continue around and past the woman’s body exactly according to @video1, including the close passes near her arms, torso, head, and smartphone.
Preserve the exact motion rhythm and the exact final close-range framing near her face and phone.
Do not simplify the trajectory.
Do not convert it into a generic orbit, push-in, or circular move.
Do not start closer than in @video1.
Do not change the ending logic.
CHARACTER:
Keep the woman in the pose and body orientation defined by @video1.
She must not independently rotate to follow the camera.
Her position and orientation remain stable while the camera moves.
Only subtle natural micro-movements are allowed: breathing, slight hair and fabric movement, and minimal hand motion.
ENVIRONMENT:
Use @image1 to create a modern supermarket aisle with:
- refrigerated produce shelves on the left
- drinks and packaged goods on the right
- polished concrete floor
- overhead track lighting
- mist over fresh produce
- shopping cart with groceries
- strong geometric sunlight and shadows across the floor
Keep the supermarket as one coherent physical space throughout the shot.
STYLE:
Premium cinematic realism, crisp commercial image quality, rich contrast, realistic materials, dramatic directional light, natural shadows, polished high-end advertising cinematography.
Maintain the exact camera blocking from @video1 and one continuous stable supermarket environment.

Create one continuous cinematic shot.
REFERENCES:
@video1 — master camera and blocking reference. Use it as the single source of truth for the exact camera trajectory, opening distance, timing, speed, framing progression, perspective changes, camera height changes, the transition from exterior to interior, the movement past the woman and phone, and the final exit back to the exterior city view.
@image1 — exterior car and environment reference only.
@image2 — interior car, woman appearance, wardrobe, and phone-use reference only.
@image1 and @image2 define only appearance, environment, styling, and subject design.
They do not define the camera path, shot timing, opening frame, or ending frame.
All camera movement and shot progression must come only from @video1.
SCENE:
A stylish young woman sits inside a parked luxury car, holding a smartphone and looking through her own selfie photos.
She casually browses the photo gallery with small natural thumb swipes and focused attention.
CAMERA — CRITICAL:
Follow @video1 as the exact master trajectory.
Start far in front of the car, matching the distant frontal opening from @video1.
Move rapidly toward the vehicle, preserving the same direction of travel, speed, timing, framing progression, perspective changes, and camera height changes.
Pass through the front of the car into the interior, following the same movement path as @video1.
Continue through the cabin, moving past the woman and her smartphone without stopping on them.
The phone is only an intermediate point in the camera path, not the final subject.
Then continue toward the side window and exit the car through the side window exactly as shown in @video1.
The final shot must end outside the car on the exterior city panorama.
Do not end on the woman.
Do not end on the phone.
Do not stop inside

Create a continuous cinematic shot.
REFERENCES:
@video1 — MASTER CAMERA AND BLOCKING REFERENCE.
Use it as the strict source of truth for:
- the exact opening frame
- the exact starting distance from the subject
- the exact camera trajectory
- the exact timing and speed
- the exact framing progression
- the exact perspective progression
- the exact camera height changes
- the exact subject pose
- the exact hand placement
- the exact smartphone placement
- the exact final movement through the phone
@image1 — environment and styling reference only.
@image2 — late-shot smartphone and over-shoulder fidelity reference.
@image1 defines the café environment, architecture, wardrobe, props, coffee cup, nearby couple, lighting, and overall style.
@image2 defines the phone interface, the over-shoulder composition logic, the hand/phone relationship, and the final close-range visual fidelity.
Neither @image1 nor @image2 may change the camera path, timing, opening frame, or ending motion.
All camera movement and shot blocking must come only from @video1.
SCENE:
A young man sits at a small outdoor café table, holding a smartphone with both hands and looking at the screen with focused interest.
There is a cup of coffee on the table.
A couple sits at a nearby café table in the background as subtle secondary characters.
CAMERA — CRITICAL:
The shot must begin far away from the man, matching the distant opening framing of @video1.
Do not begin close to the subject.
Strictly match @video1:
- the distant opening shot
- the initial subject scale
- the exact trajectory through space
- the exact direction of travel
- the exact movement rhythm
- the exact approach toward the subject
- the exact path around the body
- the exact late-shot approach to the phone
- the exact final movement through the phone
Do not reinterpret the motion.
Do not simplify the movement.
Do not replace it with a generic push-in or orbit.
Do not start closer than in @video1.
Do not change the ending logic.
The camera must

Create a continuous cinematic shot that follows the exact motion of the video reference.
REFERENCES:
@video1 — primary motion reference. Use it for the exact camera trajectory, timing, speed, framing progression, perspective changes, low-to-high scale transition, lens feel, subject pose, subject placement, and interaction blocking with the laptop.
@image1 — environment and styling reference only.
@image1 is not an animation frame, not a storyboard frame, and not a camera angle to copy literally. Use it only to define the location, mood, outfit styling, and overall scene design. All camera motion, shot progression, and framing must come only from @video1.
SCENE:
A young woman sits cross-legged on a striped towel beside a swimming pool in front of a Mediterranean villa courtyard. She has a laptop on her lap and is actively chatting and typing, fully engaged in the conversation. She feels lively, charming, funny, expressive, and naturally charismatic. Her emotions should feel alive and readable: subtle smiles, amused reactions, playful expressions, soft surprise, and focused engagement while messaging.
CAMERA:
Follow @video1 as closely as possible.
Reproduce the exact trajectory from @video1:
start from a very distant wide shot, then rapidly push forward toward the woman, keeping the same motion logic, timing, speed, and perspective progression, ending in a very close, very low frontal angle near the laptop, with her hands and typing gestures large in the foreground.
Do not change this motion into an orbit or any other camera move.
ENVIRONMENT:
Use @image1 to define the full visual world:
a sunlit Mediterranean villa courtyard, white stucco architecture, wooden shutters, purple bougainvillea, lush plants, striped sun loungers, umbrella, warm stone terrace, and turquoise pool edge.
The atmosphere should feel sunny, warm, elegant, relaxed, and premium.
Preserve the sense that she is sitting beside the pool in this same location throughout the shot.
CHARACTER:
She should match the overall appearance, styling, and mood from @image1:
curly blonde hair, resort outfit, relaxed summer fashion, attractive and expressive face.
She is not static — she is immersed in chatting on the laptop, reacting naturally, typing quickly, pausing, smiling to herself, and feeling emotionally engaged.
ACTION:
The key action is active messaging / chatting on the laptop.
Her hand movement should feel believable and screen-focused.
She should look absorbed in the conversation, with playful, warm, amusing, and lovable energy.
STYLE:
Premium cinematic realism, golden warm daylight, soft natural shadows, polished materials, rich contrast, elegant depth, high-end commercial image quality.
Maintain one continuous location, one coherent environment, and the exact camera movement from @video1.

Create a 7-second continuous cinematic shot.
REFERENCES:
@video1 — primary motion reference. Use it for the exact camera trajectory, timing, speed, framing progression, perspective changes, 12mm ultra-wide lens feel, the woman’s pose, her body orientation, her position in space, the smartphone already in her hand, and the floor-grid perspective.
@image1 — apartment environment reference.
@image1 is an environment reference only. It is not an animation frame, not a keyframe, not a storyboard frame, and must not be used as the first or last frame of the video. Do not copy its exact framing. The opening frame, ending frame, all camera angles, and the full shot progression must come only from @video1.
SCENE:
A young woman is already levitating above the center of a blue sofa from the first frame. She remains horizontal in the pose defined by @video1. Her eyes are closed and her expression is calm, delighted, and peaceful. A dog sits naturally near the sofa and looks up at her. The smartphone is already in her hand.
CAMERA AND SPACE:
Follow @video1 as closely as possible. Reproduce the exact camera trajectory from @video1, including the same movement logic, turns, perspective progression, and lens feeling. Do not simplify it into an orbit. The woman, sofa, and apartment remain fixed in world space. Use the floor grid from @video1 as the ground-plane guide. Replace it with the real apartment floor while preserving the same perspective, scale, and parallax throughout the shot. The environment must adapt to the camera motion from @video1 and must not rotate independently.
ENVIRONMENT:
Use @image1 to define the style and main living-room side of the apartment: blue sofa, panoramic windows, wooden floor, warm sunset light, and a modern cozy interior.
The opposite side of the same room, behind the sofa, should be a connected kitchen and dining area with a table, warm orange kitchen lighting, and a design consistent with the living room.
This is one continuous apartment space. As the camera follows the exact trajectory from @video1, reveal the same room from different angles. Do not invent a second sofa. Do not create a TV wall. Do not morph or redesign the room during the shot.
CHARACTER:
Keep the woman fixed above the sofa. Do not rotate or drift her independently. Her pose, placement, and orientation must remain defined by @video1.
STYLE:
Premium cinematic realism, warm golden-hour sunlight, warm kitchen glow, rich contrast, realistic depth and parallax, polished high-end commercial cinematography, and natural shadow integration.
Keep one sofa, one continuous room, one stable floor, and one stable environment throughout the shot.